This is a new chapter in a series of plant experiments jointly initiated by photographer Cheuk Lun Lo and floral artist Vanessa: Using flowers as the inspiration and medium of expression, substituting different roles to explore multiple themes such as life, nature, and society. This series of works was born in the shadow of depression and the tearing of self-salvation in contemporary society. The "bloom" of each flower sewn with coarse cotton thread carries the metaphor of fragmentation and reconstruction and emphasizes the conflict between "forced decency" and "inner collapse".This series is like a constantly fading blue elegy: “These flowers will never wither. The stitches are the visible scars repaired with imagination in places where no one sees. The unspoken fatigue is sewn into the petals and blooms together with silence, while the stiff stems that stand forcefully are the rigid spines behind every ‘I’m fine.’ All those who claim to heal me have taught me to disguise the shape of pain."这是一组由摄影师老焯麟与花艺造型师 Vanessa 共同发起创作的植物实验系列作品的新篇章：将镜头里的“花”作为灵感与表达媒介，代入不同角色来探索生命、自然、社会等多重主题。这组作品诞生于当下社会生活中抑郁症的阴翳与自我救赎的撕扯中。每一朵由粗粝棉线缝合的花朵的“绽放”都承载着破碎与重建的隐喻并 强调“强撑的体面”与“内在溃败”的冲突。这组作品如同一首不断褪色的蓝色挽歌：“这些花永远不会凋零，针脚是在无人处用想象力修补自己的显性伤疤。将无法言说的疲惫缝进花瓣与沉默一同绽放，而强行挺立的花茎，则是每个"我很好"背后僵直的脊椎。所有声称治愈我的，都让我学会了伪装疼痛的形状。
